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2004
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āTell the truth and shame the devilā: Robert Frank had turned 80 when he set out to make True Story, repurposing still photographs, home movies, and excerpts of completed films to reflect on memory and resilience. Moments of delight (a lobster claw and wiggling toes silhouetted against the sky) brush against moments of melancholy (the camera drifting across one of his son Pabloās tortured collage letters written in microscript: āHe wanted to say everything, he wanted to get rid of his lonelinessā¦ā); an inventory of enfeeblement (āswollen toes, nails falling out, gum disease, itching, irregular heartbeatā) gives way to an image of steadfastness (the crotch of a old tree stump propping up another tree). ā Museum of Modern Art
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