Paul Schrader
Paul Joseph Schrader (born July 22, 1946) is an American screenwriter, film director, and film critic. He first became widely known for writing the screenplay of Martin Scorsese's Taxi Driver (1976). He later continued his collaboration with Scorsese, writing or co-writing Raging Bull (1980), The Last Temptation of Christ (1988), and Bringing Out the Dead (1999). Schrader has also directed 24 films, including Blue Collar (1978), Hardcore (1979), American Gigolo (1980), Cat People (1982), Mishima: A Life in Four Chapters (1985), Light Sleeper (1992), Affliction (1997), and First Reformed (2017); the latter earned him his first Academy Award nomination. Schrader's work frequently depicts troubled men struggling through an existential crisis that is then punctuated by a violent, cathartic event.
Raised in a strict Calvinist family, Schrader attended Calvin College before electing to pursue film studies at UCLA on the encouragement of film critic Pauline Kael. He then worked as a film scholar and critic, publishing the book Transcendental Style in Film: Ozu, Bresson, Dreyer (1972) before making the transition to screenwriting in 1974. The success of Taxi Driver in 1976 brought greater attention to his work, and Schrader began directing his own films beginning with Blue Collar (co-written with his brother, Leonard Schrader). His three most recent films have been described by Schrader as a loose trilogy: First Reformed (2017), The Card Counter (2021), and Master Gardener (2022).
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Eames: The Architect and the Painter
Männer im Trenchcoat, Frauen im Pelz

Tales from the Script

Raging Bull: Before the Fight

The Book of Harth

Schrader's Exorcism

Budd Boetticher: A Man Can Do That

The Rules of Film Noir

Pictures of Europe

The Road to Bresson

Sam Peckinpah's West: Legacy of a Hollywood Renegade

Making 'Taxi Driver'

The Beauty of Horror: Paul Schrader on The Comfort of Strangers

God's Lonely Man

Influence And Appreciation: A Martin Scorsese Tribute
Best Served Cold

Milius
Murnau, Borzage and Fox

Hitchcock/Truffaut

What She Said: The Art of Pauline Kael

Dog Eat Dog

Ken San

A Decade Under the Influence

Talking with Ozu

Clapboard Jungle: Surviving the Independent Film Business

We Blew It

Richard Pryor: Omit the Logic

Hollywood Mavericks

Untitled: New Blue

Film Noir: Bringing Darkness to Light

Preston Sturges: The Rise and Fall of an American Dreamer

Sex at 24 Frames Per Second

Paul Schrader: Man in a Room

Godard Made in USA

1982: Greatest Geek Year Ever!

Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywood
Cat People: An Intimate Portrait by Paul Schrader

Inside Mishima

The Story of Film: An Odyssey

Scene by Scene

The Last Movie Stars

Close Up with The Hollywood Reporter

Raging Bull

American Gigolo

Light of Day

Light of Day

The Last Temptation of Christ

Rolling Thunder

Cat People

The Mosquito Coast

Cat People

Affliction

Bringing Out the Dead

Mishima: A Life in Four Chapters

Mishima: A Life in Four Chapters

The Walker

Dominion: Prequel to The Exorcist

The Walker

The Yakuza

Auto Focus

Witch Hunt

Light Sleeper

The Comfort of Strangers

Hardcore

Hardcore

Blue Collar

Touch

Forever Mine

Forever Mine

Adam Resurrected

Patty Hearst

The Canyons

There Are No Saints

Old Boyfriends

First Reformed

Untitled: New Blue

There Are No Saints

American Gigolo

Master Gardener

Master Gardener

Venice 70: Future Reloaded

Dying of the Light

Dying of the Light

The Card Counter

Taxi Driver

Affliction

Dog Eat Dog
Bait

Obsession

Oh, Canada

Oh, Canada
Non Compos Mentis
Non Compos Mentis
Amber Light

City Hall

Touch
The Basics of Philosophy
The Basics of Philosophy

Old Boyfriends

Light Sleeper

Untitled: New Blue
Life from the Other Side

Blue Collar

The Card Counter

First Reformed

Rolling Thunder

Obsession

American Johns

Walk of Fame

Paul Schrader: Man in a Room

American Gigolo
