Evald Schorm
At one time, Czech director Evald Schorm was known as "the conscience of the Czech New Wave" and was known for using film to promote notions of compassion, equality, and individualism in the face of social structure. Originally an opera singer, the Prague native studied filmmaking at the prestigious F.A.M.U. between 1957 and 1962. He went on to create documentaries with the Documentary Film Studio in Prague. Schorm also worked as a film actor. Following the Soviet invasion of Czechoslovakia, the Communist government repressed his films. Still, Schorm remained in Czechoslovakia and directed opera, stage plays, and sometimes television shows. He returned to feature filmmaking in the late '80s, but died of heart failure in 1988.

The Joke

A Report on the Party and the Guests

Hotel for Strangers

Landscape with Furniture

Bastion Promenade Seventy Four
An Occasion to Speak
Ilda

Escape Home

Hotel for Strangers
Golden Sixties
Reflection
Reflection

The Return of the Prodigal Son

The Return of the Prodigal Son

The Return of the Prodigal Son

Pearls of the Deep

Pearls of the Deep
Reflection

The End of a Priest

Five Girls Around the Neck

The End of a Priest

Courage for Every Day

The Seventh Day, the Eighth Night

Five Girls Around the Neck

The Seventh Day, the Eighth Night
Revenge

Psalm
Lítost

Nothing Really Happened
Etuda o zkoušce
Etuda o zkoušce
Etuda o zkoušce
Křepelky

Prague Nights
Stromy a lidé

Seven Days to Remember
Carmen Not Only According to Bizet

Living Your Life
King and Women

The Karamazov Brothers
Z mého života
Úklady a láska
Z mého života
Why?
Why?

Killing with Kindness
Confusion

Prague Nights

Spadla s měsíce

Dogs and People

Railwaymen

Railwaymen
