Phil Solomon
Phil Solomon was an internationally recognized filmmaker and educator who taught both film history/aesthetics and film production at University of Colorado Boulder from 1991 until his death in 2019. Solomon’s work has been screened in every major venue for experimental film throughout the U.S. and Europe, including 3 Cineprobes (one-man shows) at the Museum of Modern Art and two Whitney Biennials. His films have won 10 first prize awards at major international film festivals for experimental film (including six Juror’s Awards from the Black Maria Film and Video Festival). His films reside in the permanent collections of the Museum of Modern Art, Massachusetts College of Art, Binghamton University, Hampshire College, The Chicago Art Institute, San Francisco State University, the University of Wisconsin at Milwaukee, and the Oberhausen Film Collection. Solomon collaborated on three films with his colleague and friend, Stan Brakhage, who named Solomon’s Remains to be Seen on his Top Ten Films of All Time for Sight and Sound.

Brakhage

Stan Brakhage Exits the Cinema and Enters the Light of Day

Bitemporal Vision: The Sea

The Summit

Turbulent Waters
Rocket Boy vs. Brakhage

Untitled (for David Gatten)

Psalm IV: Valley of the Shadow

The Emblazoned Apparitions
Nightlight

Nocturne

What’s Out Tonight Is Lost

The Secret Garden

The Exquisite Hour

Remains to Be Seen

Clepsydra

Elementary Phrases

The Snowman

Psalm II: Walking Distance

Psalm I: The Lateness of the Hour

Psalm III: Night of the Meek

Seasons...

Rehearsals for Retirement

Last Days in a Lonely Place

Empire

Still Raining, Still Dreaming

American Falls
Simply Because You're Near Me

By This River

Ida Western Exile

Sweetgrass

Sleep Has Her House

Floating under a Honey Tree
Alternating Currents

Night Hunter

Concrescence

The Passage of the Bride

Crossroad

Stan Brakhage Exits the Cinema and Enters the Light of Day
As If We

Yes I Said Yes I Will Yes

Innocence and Despair

Life with Stan #4: Stan Painting

The Sea Behind Her Head
