Kuei Chih-Hung
Kuei Chih-Hung (桂治洪) (20 December 1937 – 1 October 1999) was one of the most popular and daring filmmakers to work for the Hong Kong-based Shaw Brothers Studios, directing more than 40 films throughout the late 1960s, 1970s and early 1980s. Known for his bold cinematic style, innovative use of realistic, on-location shooting and often gritty, controversial subject matter, Kuei found critical and commercial success working in a variety of genres, including the hard-boiled crime drama of The Teahouse (1974) and its sequel, Big Brother Cheng (1975), wuxia classic Killer Constable (1981), and the cult horror favorites The Killer Snakes (1975) and Hex (1980). Kuei often added subtle commentary to even his most mainstream projects, depicting the poverty of the public housing, police corruption and colonial government rule with an unflinching honesty.

Dear Murderer

The Bamboo House of Dolls

The Delinquent

The Boxer's Omen

Big Brother Cheng

The Killer Snakes

The Boxer's Omen

The Boxer's Omen

Bewitched

Revenge of the Corpse

The Bod Squad

Curse of Evil

Hex

Killer Constable

Hex After Hex

Hex vs. Witchcraft

Spirit of the Raped

Ghost Eyes

The Lady Professional

Misfire

A Time for Love

Stranger in Hong Kong

Intrigue in Nylons

The Gourd Fairy

Payment In Blood

The Tea House

Fearful Interlude

Coward Bastard

Godfather from Canton

Lover's Rock

The Reckless Cricket

Crazy Imposters

The Criminals, Part 2: Homicides

The Criminals, Part 3: Arson

The Criminals, Part 4: Assault

The Criminals, Part 5: The Teenager's Nightmare

A Time for Love

Corpse Mania

Corpse Mania

Killers on Wheels

The Rat Catcher

Supermen Against the Orient

Mr. Funny Bone

Dear Murderer
Love Song Over the Sea

The Gold Connection

Trapeze Girl

The Orchid

Stranger in Hong Kong

The Five Billion Dollar Legacy

裸尸痕
