Paul Sharits
Trained as a graphic artist and a painter, Paul Sharits became an avant-garde filmmaker noted for manipulating the film stock itself to create a variety of fascinating, abstract light and colorplays when projected on the screen. Fans hail the effects hallucinogenic, while his detractors find them garish. Sharits is also known for establishing experimental film groups at prominent universities, including one at the University of Indiana where he studied. He later taught and developed an undergraduate film program at Antioch College. Between 1973 and 1992, Sharits taught at the Center for Media Study at the State University of New York. His films can be seen in various U.S. and European museums, film centers, and libraries. Much of his work can be found in the Anthology Film Archives in New York City. ~ Sandra Brennan,

Home Movies 1971-81

Paul Sharits

Rapture

Paul Sharits Interview with Gerard O'Grady

Birth of a Nation

Cinématon
Cinématon XIII
Cinématon n°120 : Paul Sharits

Funtime at the Vasulkas

On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?

Fluxfilm Anthology 1962-1970

S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED

T,O,U,C,H,I,N,G

N:O:T:H:I:N:G

Bad Burns

Wintercourse
Piece Mandala/End War

Epileptic Seizure Comparison

Tails

Razor Blades
Ray Gun Virus
Color Sound Frames

Rapture

Rapture

Word Movie
Sears Catalogue 1-3
Unrolling Event
Dots 1 & 2
Wrist Trick
Shutter Interface
3D Movie

Analytical Studies III - Color Frame Passages
Dream Displacement
Sketches in Hawaii
Vertical Contiguity

Episodic Generation

Brancusi's Sculpture Garden at Tirgu Jiu
The Forgetting of Impressions and Intentions
Tirgu Jiu

Inferential Current

Sound Strip/Film Strip

Declarative Mode

Declarative Mode

3rd Degree

Analytical Studies I: The Film Frame

Analytical Studies II: Un-Frame-Lines

Axiomatic Granularity

Analytical Studies IV: Blank Color Frames

Synchronousoundtracks
