Ernie Gehr
"Born in 1941, he began making eight-millimeter films in the mid-â60s. The precipitating event, he told the writer Scott MacDonald in a 2002-3 interview, was a program of Stan Brakhage films that Mr. Gehr caught in New York on a rainy night. The works excited him partly because in their abstraction and attention to color, texture and rhythm they were closer to his experience of 20th-century painting than of movies, and he continued to seek out more of the same. He eventually ended up at the Millennium Film Workshop and borrowing a light meter from the filmmaker Ken Jacobs (with whom Mr. Gehr shares an interest in early cinema). As he walked around New York reading light, as it were, Mr. Gehr discovered âthe character of lightâ and learned about âcinemaâs dependency on light.â
(from NYTimes profile by Manohla Dargis. Â Full piece here:Â http://www.nytimes.com/2011/11/13/movies/ernie-gehrs-films-traffic-in-images-and-light.html?_r=0)

Huge Pupils
A Portrait of Ernie Gehr

Chambers of Time

Side/Walk/Shuttle

Serene Velocity

Wait

Table
Auto-Collider XVIII

Auto-Collider XX

History

Still

Carte de Visite

Passage

Morning

New York Central
Signal - Germany on the Air

Eureka

Reverberation

Mirror of Dreams

Floating Particles

Brewster, MA

Undertow

Back in the Park

Untitled

Untitled

Untitled

Transparency
Mist

Crystal Palace

Departure

ABRACADABRA
Rear Window
Hurry Up Henrietta

Along Brighton Beach Avenue
Carnival of Shadows

Field

Field

Auto-Collider

Thank You for Visiting

Thank You for Visiting

Auto-Collider

Lisa and Suzanne

Bon Voyage

Better than Ever

A Commuter's Life (What a Life!)
New York Lantern

Photographic Phantoms
Shift

Waterfront Follies

For the Birds

Precarious Garden
Auto-Collider XV

20 Little Films

Lisbon Views

Carroll Gardens

Whatâs Up!

High-Wire Act

Through the Hoops of Time

Chambers of Time
Work in Progress

Pedestrian Activities

In Slumberland (Thanks to Winsor McCay)

Mechanical Magic Lantern Slides II

Creatures of the Night

Delirium

Medicine Cabinet
As If

Cotton Candy

Water Spell

Sensations of Light, #7

Brooklyn Series

Picture Taking

Autumn

Transport
The Quiet Car

Essex Street Market

Mirage

Surveillance

Street Scenes

Behind the Scenes

This Side of Paradise

For Daniel
The Astronomer's Dream

Glider

Greene Street

Noon Time Activities

Modern Navigation

Workers Leaving the Factory (after Lumière)

Panoramas of the Moving Image: Mechanical Slides and Dissolving Views from Nineteenth-Century Magic Lantern Shows

Flying Over Brooklyn
Before the Olympics
The Morse Code Operator (or The Monkey Wrench)
Cinematic Fertilizer â 1

Construction Sight

Sunday in Paris
City

Winter Morning

Shadow
The Collector

Aproposessexstreetmarket

Circling Essex Crossing
By Rail, To Boston
