Ernie Gehr
"Born in 1941, he began making eight-millimeter films in the mid-â60s. The precipitating event, he told the writer Scott MacDonald in a 2002-3 interview, was a program of Stan Brakhage films that Mr. Gehr caught in New York on a rainy night. The works excited him partly because in their abstraction and attention to color, texture and rhythm they were closer to his experience of 20th-century painting than of movies, and he continued to seek out more of the same. He eventually ended up at the Millennium Film Workshop and borrowing a light meter from the filmmaker Ken Jacobs (with whom Mr. Gehr shares an interest in early cinema). As he walked around New York reading light, as it were, Mr. Gehr discovered âthe character of lightâ and learned about âcinemaâs dependency on light.â
(from NYTimes profile by Manohla Dargis. Â Full piece here:Â http://www.nytimes.com/2011/11/13/movies/ernie-gehrs-films-traffic-in-images-and-light.html?_r=0)

Huge Pupils
A Portrait of Ernie Gehr

Chambers of Time

Side/Walk/Shuttle

Serene Velocity

Wait

Table
Auto-Collider XVIII

Auto-Collider XX

History

Still

Carte de Visite

Morning

Passage

New York Central
Signal - Germany on the Air

Eureka

Reverberation

Floating Particles

Undertow

Brewster, MA

Mirror of Dreams

Back in the Park

Untitled

Untitled

Untitled

Transparency

ABRACADABRA

Departure

Crystal Palace
Mist
Rear Window
Hurry Up Henrietta

Along Brighton Beach Avenue
Carnival of Shadows

Thank You for Visiting

Field

Thank You for Visiting

Auto-Collider

Field

Auto-Collider

Lisa and Suzanne

Better than Ever

Bon Voyage

A Commuter's Life (What a Life!)
New York Lantern

Photographic Phantoms
Shift

Waterfront Follies

For the Birds

Precarious Garden
Auto-Collider XV

20 Little Films

Whatâs Up!

Lisbon Views

High-Wire Act

Carroll Gardens

Chambers of Time

Through the Hoops of Time
Work in Progress

Delirium

Creatures of the Night

Medicine Cabinet

In Slumberland (Thanks to Winsor McCay)

Pedestrian Activities

Mechanical Magic Lantern Slides II
As If

Cotton Candy

Water Spell

Sensations of Light, #7

Autumn

Picture Taking

Transport

Brooklyn Series
The Quiet Car

Essex Street Market

Mirage

Street Scenes

Surveillance

Behind the Scenes

This Side of Paradise

For Daniel
The Astronomer's Dream

Glider

Modern Navigation

Workers Leaving the Factory (after Lumière)

Noon Time Activities

Greene Street

Panoramas of the Moving Image: Mechanical Slides and Dissolving Views from Nineteenth-Century Magic Lantern Shows

Flying Over Brooklyn
The Morse Code Operator (or The Monkey Wrench)
Before the Olympics
Cinematic Fertilizer â 1

Construction Sight

Sunday in Paris
City

Shadow
The Collector

Winter Morning

Aproposessexstreetmarket

Circling Essex Crossing
By Rail, To Boston
