Robert Breer
Born in 1926 in Detroit, Robert Breer has spent fifty years building up a totally atypical body of work which plays with different genres and abolishes the notions of space and time.
Starting off as a painter, he then deconstructed his neoplastic works and ended up with kinetic objects. He dealt next with the thresholds of awareness and perception, both as a sculptor and a film-maker. His films are composed of a jumble images that pass at great speed, while his Floats move almost imperceptibly, in accordance with an unpredictable logic.
Robert Breer developed his light yet rigorous style while associating with the New York underground in the Pop years. Continuing his subtle exploration movement, he still today causes the space of reality-irrevocably unstable-to waver.

He Stands in a Desert Counting the Seconds of His Life
Colliding

Robert Breer At Home

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty

Birth of a Nation

Free Radicals: A History of Experimental Film

Solstice and Solyanka

Bang!

Homage to Jean Tinguely's 'Homage to New York'

Lmno

Fuji

Blazes
A Man and His Dog Out for Air

Jamestown Baloos

Form Phases II

Pat's Birthday
70

Form Phases I

Recreation

Breathing

Fist Fight

69

66

Eyewash

What Goes Up....

T.Z.
Swiss Army Knife with Rats and Pigeons

Trial Balloons

Gulls and Buoys

Motion Pictures No. 1

Time Flies

Form Phases IV

A Miracle

Rubber Cement

Sparkill Ave!

A Frog on the Swing

Atoz

77

PBL #2

Cats
Recreation II

For Life, Against the War

Horse Over Tea Kettle

Inner and Outer Space

Image by Images IV

Form Phases III
Image by Images III

Image by Images
Image by Images II
Cassis Colank
Par avion

The Movement

Eyewash (Alternate Version)

Blue Monday
