George Herriman
George Joseph Herriman III (August 22, 1880 – April 25, 1944) was an American cartoonist best known for the comic strip Krazy Kat (1913–1944). More influential than popular, Krazy Kat had an appreciative audience among those in the arts. Gilbert Seldes' article "The Krazy Kat Who Walks by Himself" was the earliest example of a critic from the high arts giving serious attention to a comic strip. The Comics Journal placed the strip first on its list of the greatest comics of the 20th century. Herriman's work has been a primary influence on cartoonists such as Elzie C. Segar, Will Eisner, Charles M. Schulz, Robert Crumb, Art Spiegelman, Bill Watterson, and Chris Ware.
Herriman was born in New Orleans, Louisiana, to mixed-race Creole parents, and grew up in Los Angeles. After he graduated from high school in 1897, he worked in the newspaper industry as an illustrator and engraver. He moved on to cartooning and comic strips—a medium then in its infancy—and drew a variety of strips until he introduced his most famous character, Krazy Kat, in his strip The Dingbat Family in 1910. A Krazy Kat daily strip began in 1913, and from 1916 the strip also appeared on Sundays. It was noted for its poetic, dialect-heavy dialogue; its fantastic, shifting backgrounds; and its bold, experimental page layouts.
In the strip's main motif and dynamic, Ignatz Mouse pelted Krazy with bricks, which the naïve, androgynous Kat interpreted as symbols of love. As the strip progressed, a love triangle developed between Krazy, Ignatz, and Offisa Pupp. Pupp made it his mission to prevent Ignatz from throwing bricks at Krazy, or to jail him for having done so, but his efforts were perpetually impeded because Krazy wished to be struck by Ignatz's bricks.
Herriman lived most of his life in Los Angeles, but made frequent trips to the Navajo deserts in the Southwestern United States. He was drawn to the landscapes of Monument Valley and the Enchanted Mesa, and made Coconino County the location of his Krazy Kat strips. His artwork made much use of Navajo and Mexican themes and motifs against shifting desert backgrounds. He was a prolific cartoonist who produced a large number of strips and illustrated Don Marquis's books of poetry about Archy and Mehitabel, an alley cat and a cockroach. Newspaper magnate William Randolph Hearst was a proponent of Herriman and gave him a lifetime contract with King Features Syndicate, which guaranteed Herriman a comfortable living and an outlet for his work despite its lack of popularity.
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How to Handle Women

The New Champ

Krazy Kat Goes A-Wooing

The Mouse Exterminator
Searching for Santa!

Krazy Kat and Ignatz Mouse at the Circus
Farm Relief
Svengarlic
Kannibal Kapers

Rodeo Dough
Slow Beau
Jazz Rhythm

Soda Poppa
The Restless Sax
The Medicine Show

Antique Antics
A Duet

Krazy Spooks
The Merry Cafe

Krazy Kat, Bugologist
A Duet

Krazy Kat and Ignatz Mouse at the Circus
Stage Krazy
House Cleaning
Bunnies And Bonnets

The Trapeze Artist

Masquerade Party
Busy Bus
Wooden Shoes

Wedding Bells
Snow Time
Paper Hanger
Hic-Cups The Champ
Ritzy Hotel
Soldier Old Man
Cinder Alley
Tom Thumb
The Curio Shop
The King's Jester
Goofy Gondolas
Golf Chumps

Hot Dogs On Ice
Gym Jams
Krazy's Travel Squawks
Krazy Magic
Little Buckaroo
Sad Little Guinea Pigs
The Masque Raid

Krazy's Race of Time
The Lyin' Hunter
Krazy's Newsreel
Highway Snobbery
The Great Cheese Robbery
An Old Flame
Desert Sunk
Spookeasy

Light House Keeping
A Grid-Iron Hero
Ignatz Believes in Signs
Krazy Kat Demi-Tasse
How I Became Krazy
Auto Suggestion
A Fur Peace

Keeping Up with Krazy

Krazy Kat
