Jud Yalkut
Jud Yalkut was a pioneering intermedia artist and filmmaker. His remarkable body of moving image work, which spanned fifty years, ranged from early performance renderings and poetic filmic experiments to a series of groundbreaking hybrid video-film collaborations with Nam June Paik. Transcending and transforming media as he explored and merged film, video, expanded cinema, electronic manipulations, performance and installation, Yalkut created and collaborated on seminal intermedia projects with numerous artists, filmmakers, musicians and performers in the avant-garde and experimental scenes.
Known For
Directing
Place of Birth
New York City, New York
Died
July 23, 2013
2013Diaries, Notes, and Sketches
1970The Stone Age
1968Planes
1963GHOST REV
1969Some Manipulations
1967Opera Sextronique
1974Suite 212
1967Kusama's Self-Obliteration
1966Turn Turn Turn
1969Beatles Electroniques
1967Videotape Study No. 3
1965Electronic Fables
1966Electronic Moon No. 2
1966Waiting for Commercials
1972Electronic Yoga
1976A Tribute to John Cage
1969Seminar
1973The Whirling Ecstasy
1966D.M.T.
1967Kusama's Self-Obliteration
1967Kusama's Self-Obliteration
1966Us Down by the Riverside
1972Astrolabe of God
1973John Cage Mushroom Hunting in Stony Point
1966P+A-I(k)
1967Missa of Zen
1972Cinema Metaphysique No. 1-5
1967The Godz
19697th Annual New York Avant Garde Festival
19724th Annual New York Avant Garde Festival
1965Diffraction Film
1970Aquarian Rushes
1970Aquarian Rushes
1970Aquarian Rushes
1973China Cat Sunflower
1973Slop Print
2002Light Display: Color
1982Self Portrait 2
1968Exprmntl 1967
197326'1.1499" For A String Player
1972Television as a Creative Medium
1992Video Commune (Beatles from Beginning to End)
1971TV Cello Premiere
1968Early Color TV Manipulations
1968Clarence
1994The Electronic Super Highway: Nam June Paik in the Nineties
1966Le Parc
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