Henri Diamant-Berger
Henri Diamant-Berger (9 June 1895 – 7 May 1972) was a French director, producer and screenwriter. In a career that lasted more than 50 years, he directed 48 films between 1913 and 1959, produced 17 between 1925 and 1967 and wrote 21 screenplays between 1916 and 1971.
Born in Paris, to a Jewish family, he studied to be a lawyer but was drawn to the motion picture business. He began his career when he co-directed the 1913 silent film short De film... en aiguilles with André Heuzé. In addition to writing screenplays, during the period from 1916 to 1919, Diamant-Berger also published and edited a film magazine and books about the movies. In 1918, he was hired by Pathé and sent to the United States to help set up the company's film laboratory at Fort Lee, New Jersey. Upon his return to France, Pathé had him set up a laboratory in Vincennes, as well as organize a film studio in Boulogne-Billancourt.
In 1921, Diamant-Berger directed the film serial Les Trois Mousquetaires, one of two film versions of Alexandre Dumas, père's novel The Three Musketeers released in 1921 (the other was Douglas Fairbanks' version) . For a short time in the mid-1920s, he made pictures in the USA, including the drama Fifty-Fifty (1925) starring Lionel Barrymore. He also directed the 1927 silent film Éducation de Prince. By the end of the decade he successfully made the transition to talkies.
Through his Barrymore connection, Diamant-Berger acquired the screen rights for a play produced on Broadway in 1921 written by John Barrymore's ex-wife, Blanche Oelrichs. His French language film version of the same title, Clair de lune (1932), starred Claude Dauphin and Blanche Montel. Among his notable sound films was a remake, Les Trois Mousquetaires (1932), a six-hour epic about the three musketeers for which he wrote the screen adaptation and used much of the same cast from his 1921 silent version. Diamant-Berger's other directorial efforts include two Arsène Lupin detective films in 1937. However, after directing Tourbillon de Paris in 1939, he lost eight full years to World War II. In 1951, he directed the acclaimed drama Monsieur Fabre starring Pierre Fresnay.
During the 1960s, Diamant-Berger devoted himself exclusively to producing, making several successful films, which includes La Belle Américaine (1961), Heaven Sent (1963) and The Counterfeit Constable (1964).
Henri Diamant-Berger died at age 76 in Paris.
Source: Article "Henri Diamant-Berger" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Le Cinéma de grand-père

Rue de la Paix

Thank Heaven for Small Favors

Miquette and Her Mother

Miquette and Her Mother

Miquette and Her Mother

Paris During the War

Le Chasseur de chez Maxim's

Par habitude

Par habitude

Arsène Lupin, Detective

Arsène Lupin, Detective

Whirlwind of Paris
Vingt ans après
Vingt ans après

Le Chasseur de chez Maxim's

Paris by night

The Song of the Balalaika

Amazing Monsieur Fabre

The Bureaucrats

The Bureaucrats

It Happened on the 36 Candles
Monsieur Gazon

The Crazy Ray

My Priest Among the Rich

La madone des sleepings

Kindergarten

La madone des sleepings

My Priest Among the Poor

The Three Musketeers

The Three Musketeers

Alone

My Priest Among the Poor

Une soirée mondaine

The American Beauty

The Unknown Singer

The Three Musketeers

Rue de la Paix

Order of the Daisy

A Foolish Maiden

Fifty-Fifty

Tu m'oublieras

Moonlight

It's all arranged

The Nice Adventure

The Miracle Child

Bad Boy

Gonzague
L'emprise

L'Affaire de la rue de Lourcine
Le roi de la vitesse

Education of a Prince

It Happened on the 36 Candles

Le Petit Café

Jim Bougne, boxeur

Moonlight
