Chantal Akerman
Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).
Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard.
Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.

Blow Up My Town

Seven Women, Seven Sins

Je Tu Il Elle

News from Home

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

The Room

She Spent So Many Hours Under the Sun Lamps

Pictures of Europe

Chantal Akerman, From Here

Guest

applechedikal

Chantal Akerman: An Interview

Knokke: une petite fiction 2

Autour de La Folie Almayer

Chantal Akerman by Chantal Akerman

No Home Movie

The Man with the Suitcase

Porto

I Don't Belong Anywhere: The Cinema of Chantal Akerman
L'inhumaine

Tell Me

The Ministries of Art

What Is Cinema?

Chantal Akerman: Always on the Road

Family Business

The Day When...
My Name is Chantal Akerman
Autour d’hier aujourd’hui et demain (on déménage)

The Beloved Child, or I Play at Being a Married Woman
What Lies Beneath the Sky

Autour de Jeanne Dielman

Birth of a Nation

Letter from a Filmmaker: Chantal Akerman

Down There

‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen

But Elsewhere Is Always Better

Maniac Summer
De droomproducenten

Chantal Akerman

Portrait of a Lazy Woman

Mallet-Stevens Street

Interview with Aurore Clément

Interview with Babette Mangolte

Interview with my mother, Natalia Akerman

My Mother Laughs Prelude

Delphine and Carole

One Day Pina Asked...

Sodankylä Forever

The Art of Time

Son chant

Examen d'entrée INSAS

From the Other Side

Les Rendez-vous du dimanche

A Whole Night

Golden Eighties

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

The Captive

A Couch in New York

Against Oblivion

Blow Up My Town

On bosse ici! On vit ici! On reste ici!

The Meetings of Anna

The Meetings of Anna

Je Tu Il Elle

Je Tu Il Elle

Je Tu Il Elle

From the Other Side

From the East

From the East

News from Home

News from Home

Almayer's Folly

Almayer's Folly

Almayer's Folly

Tomorrow We Move

Night and Day

Night and Day

Hotel Monterey

Hotel Monterey

Portrait of a Young Girl at the End of the 60s in Brussels

The Room

The State of the World

The Eighties

The Eighties

Chantal Akerman by Chantal Akerman

Chantal Akerman: Her First Look Behind the Camera

Le 15/8

The Hammer

South

Seven Women, Seven Sins

Paris Seen By... 20 Years After

One Day Pina Asked...

Down There

American Stories: Food, Family and Philosophy

Three Stanzas on the Name of Sacher

Autour de Jeanne Dielman

The Captive

Les variations Dielman

With Sonia Wieder-Atherton

Tomorrow We Move

No Home Movie

No Home Movie

Knokke: une petite fiction

Bruxelles: La soeur et la mère de Marilyn

Knokke: une petite fiction 2

Bruxelles: à la Foire du Midi

The Man with the Suitcase

Seven Women, Seven Sins

Tell Me

Letters Home

Hôtel des Acacias

Hotel Monterey

Moving In

Moving In

Franz Schubert's Last Three Piano Sonatas

No Home Movie

Family Business

Family Business

The Day When...

The Day When...

The Beloved Child, or I Play at Being a Married Woman

The Beloved Child, or I Play at Being a Married Woman

Portrait of a Young Girl at the End of the 60s in Brussels

I'm Hungry, I'm Cold

For Febe Elisabeth Velasquez, El Salvador

The Man with the Suitcase

The Room
No Vladimir

South

Letter from a Filmmaker: Chantal Akerman

From the Other Side

Down There

Down There

East with Sonia Wieder-Atherton

From the Other Side

Golden Eighties

Women from Antwerp in November
Autour d’hier aujourd’hui et demain (on déménage)

Maniac Summer

Maniac Summer

Maniac Summer

A Whole Night

The Room

Portrait of a Lazy Woman

Portrait of a Lazy Woman

Mallet-Stevens Street

Mallet-Stevens Street

Nightfall in Shanghai

Interview with Aurore Clément

Interview with Babette Mangolte

Interview with my mother, Natalia Akerman

A Couch in New York

A Couch in New York

Hanging Out Yonkers

Hanging Out Yonkers

My Mother Laughs Prelude

Le 15/8

No Home Movie

No Home Movie

Examen d'entrée INSAS
Monologues
