Michel Auder
Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.

Home Movie : Marrakech

Fictional Art Film
Apocalypse Later - Hudson
Bitte Danke
My Last Bag of Heroin (For Real)
Chronicles: Morocco
Homeo
Chromo sud

Birth of a Nation

The Feature

Fun and Games for Everyone

Langlois

The Stone Age
High Life
It's Hard to Be Down When You're Up
Blind Sex
48 Hours in 8 Minutes
Apocalypse Later - Hudson
Bitte Danke
Chelsea, Manhattan - NYC
Confession
Daytime Version of the Night
Heads in Love
My Last Bag of Heroin (For Real)

Polaroid Cocaine
Chronicles: Morocco
Endless Column
Shoppingheads

Cleopatra

Fictional Art Film

Keeping Busy

The Feature

Magnetic Notes, 1986-1987

Coupla White Faggots Sitting Around Talking
Gulf War TV War
The Course of Empire
Phone content HQ6s02 BERLIN CAMERAROLL

Chelsea Girls with Andy Warhol

Made for Denise

Brooding Angels

Roman Variations

Voyage to the Center of the Phone Lines

The Valerie Solanas Incident

Talking Head

Narcolepsy

The Feature

The Feature

My Love

Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)

Jesus

Jesus

Jesus

Jesus

1967
