Gabriel ChĂĄvez
Known For
Editing

In The Country Where Nothing Happens

A Beautiful Demon: Kazuo Koike on 'Lady Snowblood'

Making The Worst Person in the World

Undressing a Legacy

Hollywood Propaganda and World War II

Sniffing Out âPolyesterâ

Passion Project

The Beauty of Horror: Paul Schrader on The Comfort of Strangers
A Very Tricky Balance

Way Out on a Limb

Ozu & Noda
Where It Began: The Origins of WALL¡E
Anatomy of a Scene: The Plant

A Visit to the Pixar Living Archive

Daniel London and Will Oldham on Old Joy
Living 'Lord of the Flies'

Hawks on Hawks

Lighting Up with Hildy Johnson
The Way of Folk

Reflecting On Take Out

Watching Gena Rowlands
Weimar on the Pacific
Dietrich Icon
Homay King on 'Shanghai Express'
Ron Briley on 'A Face in the Crowd'
Jay Cocks and Farran Smith Nehme on 'The Heiress'
Evan Dalton Smith on Andy Griffith

Birth Pains

Constructing a House
Sharon Malone and Eric Holder
Robert Drew & Associates at the Museum of Tolerance
Jill Drew and D.A. Pennebaker

Andrew Cohen on Crisis and Its Outtakes
Emotional Uncertainties

Miranda July: Where it Began

Jackie Coogan: The First Child Star

The Great Dictator: The Clown Turns Prophet

City Wide Fever

Table Scraps: Notes on Babette's Feast

The Highest Standards â Shih Chun on A Touch of Zen

The Reluctant Lead â Hsu Feng on A Touch of Zen

A Touch of Art â Ang Lee on King Hu

Art-house Martial Arts â Tony Rayns on A Touch of Zen
Shooting 'Blood Simple'
Something in the Air: Making "sex, lies, and videotape"
Cliff and Larry: Beginnings
Generators, Noise Reduction, and Multitrack Audiotape
No Boundaries: A Cure Conversation
In Her Own Image: Kelley Conway on Agnès Varda
Manthia Diawara on 'Black Girl'
MâBissine ThĂŠrèse Diop on 'Black Girl'
Samba Gadjigo on Ousmane Sembène
Manthia Diawara on 'Borom Sarret'

A New Way of Seeing: B. Ruby Rich on Chantal Akerman
'The Cranes are Flying' and Soviet Cinema

Light in the Darkness: The Impact of Night of The Living Dead

In Her Own Words
CATEGORIAS