Rick Baker
Richard A. Baker (born December 8, 1950) is a retired American special make-up effects creator and actor, mostly known for his creature effects and designs. Baker won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the inaugural award for the 1981 film An American Werewolf in London.
As a teen, Baker began creating artificial body parts in his own kitchen. He also appeared briefly in the fan production The Night Turkey, a one-hour, black-and-white video parody of The Night Stalker directed by William Malone. Baker's first professional job was as an assistant to prosthetic makeup effects veteran Dick Smith on the 1973 film The Exorcist. While working on The Exorcist, Baker was hired by director Larry Cohen to design and create a mutant infant for Cohen's 1974 film It's Alive.
Baker received the inaugural Academy Award for Best Makeup for his work on An American Werewolf in London. He also created the werewolf creature Michael Jackson transforms into in the music video Thriller. Subsequently, Baker has been nominated for the Best Makeup Oscar ten more times, winning on seven occasions, both records in his field.
Baker claims that his work on Harry and the Hendersons is one of his proudest achievements.[8] On October 3, 2009, he received the Jack Pierce – Lifetime Achievement Award title of the Chiller-Eyegore Awards.[9]
He was awarded a Doctorate of Humane Letters from the Academy of Art University San Francisco in 2008. He also contributes commentaries to the web series Trailers from Hell for trailers about horror and science fiction films.
Baker received the 2485th star of the Hollywood Walk of Fame on November 30, 2012. The star is located in front of the Guinness World Records Museum.
Baker announced his retirement on May 28, 2015: "First of all, the CG stuff definitely took away the animatronics part of what I do. It's also starting to take away the makeup part. The time is right, I am 64 years old, and the business is crazy right now. I like to do things right, and they wanted cheap and fast. That is not what I want to do, so I just decided it is basically time to get out. I would consider designing and consulting on something, but I don't think I will have a huge working studio anymore."

Men in Black II

The 'Frankenstein' Files: How Hollywood Made a Monster

She's Alive! Creating 'The Bride of Frankenstein'

It's Alive: The True Story of Frankenstein

Into the Night

Cult of Terror

The Thing with Two Heads

The Wolf Man: From Ancient Curse to Modern Myth

Mummy Dearest: A Horror Tradition Unearthed

MonsterKids: The Impact of Things That Go Bump In The Night

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RKO Production 601: The Making of 'Kong, the Eighth Wonder of the World'

Beware the Moon: Remembering 'An American Werewolf in London'

Fear and Love: The Story of The Exorcist

Making Michael Jackson's Thriller

Monster by Moonlight! The Immortal Saga of 'The Wolf Man'

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The Art of Imagination: A Tribute to Oz

He Who Made Monsters: The Life and Art of Jack Pierce

The Road to 'Dracula'
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Videodrome: Forging the New Flesh

Creature Designers: The Frankenstein Complex

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Making Apes: The Artists Who Changed Film

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Squirm

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Track of the Moon Beast

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How the Grinch Stole Christmas

The Exorcist

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Michael Jackson's Thriller

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Summer School

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The Fury

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The Rocketeer

Zebra Force

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Coming to America

The Autobiography of Miss Jane Pittman

Batman Forever

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TRON: Legacy

Black Caesar

Ratboy

The Incredible Melting Man

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Greystoke: The Legend of Tarzan, Lord of the Apes

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