Renato Berta
Renato Berta is a Swiss cinematographer and film director, best known for his collaborations with directors Alain Tanner and Jean-Marie Straub. Trained at the Centro Sperimentale di Cinematografia in Rome, Berta has worked as cinematographer in more than 100 films since 1969. He won a César Award for Best Cinematography for Au revoir les enfants in 1988 and a David di Donatello for Best Cinematography for Noi credevamo in 2011.
In 2013, he was awarded the Chevalier of the Ordre des Arts et des Lettres.
Source: Article "Renato Berta" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Known For
Camera
Born
March 2, 1945 (age 80)
Place of Birth
Bellinzona, Ticino, Switzerland

Marcello Mastroianni: I Remember

Renato Berta, face caméra

Verteidigung der Zeit
Les avatars de la mort d’Empédocle

Revoir Hiroshima...

In Memoriam Daniel Schmid Werner Schroeter

Daniel Schmid: Le Chat Qui Pense

Kulturplatz

The Wounded Man

Nightcap

May Fools

Au Revoir les Enfants

The Wonderful Crook

We Believed

Marie-Jo and Her 2 Loves

Uranus

A. Constant

Jenatsch

Lullaby to my Father

Things

Day After Day
The Witches, Women Among Themselves

Incantati

The Silence of Rak

Asfouri

Belleville Tokyo

The Written Face

Same Old Song

Kazuo Ohno

La mort de Molière

Les Havres

Workers, Peasants

Dolando

O somma luce
Joachim Gatti, variation de lumière

Eden

Adultery (A User's Guide)

Kadosh

A Visit to the Louvre

Leopardi
Dialogue of Shadows

Not on the Lips

In the Shadow of Women

L'Homme aux yeux d'argent

These Encounters of Theirs

The Big Night

Smoking / No Smoking
Le film du cinéma suisse

Beresina

The Middle of the World

Buried Secrets

The Last Mitterrand

Vanaprastham

Wuthering Heights

The Old Man of Belem

Word and Utopia

Off Season

Hecate

Every Man for Himself

Faces of Love

La Paloma

Tonight or Never

The Salamander

Charles, Dead or Alive

History Lessons

Return from Africa

Death of the Flea Circus Director

Moses and Aaron

Shadow of Angels

Der Gehülfe

Fortini/Cani

Jonah Who Will Be 25 in the Year 2000

Sartre by Himself

San Gottardo

The Indians Are Still Far Away

His Master's Voice

Violanta

Messidor

Kippur

Introduction to Arnold Schoenberg’s Accompaniment to a Cinematic Scene

The Plough
Inventaire lausannois

The Innocents

Tosca's Kiss

The Uncertainty Principle

Gebo and the Shadow

Magic Mirror

Alila

Full Moon in Paris

Inquietude

Max & Co

Voyage to the Beginning of the World

Nothing But Lies

Party

Strange Birds

Stalin's Couch

Twister

Chafariz das Virtudes

Lover for a Day

Humiliated

Three-Step Dance

You, Me and Us

Rendez-vous

Un héritier

L’inconsolable

People of the Lake

Artemide’s Knee

Othon

The Death of Empedocles

The Return of the Prodigal Son

Chimère

Notre Dame de la Croisette

Unguided Tour

Max Frisch, Journal I-III

The Salt of Tears

The King of Laughter

H.P. Lovecraft: Schatten aus der Zeit

France Against the Robots

Imitation of Life

Rosa la Rose, Public Girl

Il Buco

Year of the Jellyfish

Taxi Boy

The Tasters

Roger Diamantis or Real Life
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