Carole Lombard
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Carole Lombard (born Jane Alice Peters, October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. She was the third wife of actor Clark Gable.
Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures.
Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks' pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, at the end of the decade, Lombard began to move towards more serious roles. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role.
Lombard's career was cut short when she died at the age of 33 in an airplane crash on Mount Potosi, Nevada while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema.

To Be or Not to Be

Mr. & Mrs. Smith

Twentieth Century

The Princess Comes Across

Hands Across the Table

In Name Only

We're Not Dressing

My Man Godfrey

No Man of Her Own

Nothing Sacred

Normandie ne partira pas ce soir

Yesterday and Today

A Perfect Crime

Made for Each Other

Marriage in Transit

Gold and the Girl

Hearts and Spurs

Gold Digger of Weepah

The Girl from Everywhere

The Swim Princess

The Bicycle Flirt

The Divine Sinner

The Girl from Nowhere

Smith's Restaurant

Motorboat Mamas
Hubby's Weekend Trip

Ned McCobb's Daughter
Don't Get Jealous

Lady by Choice

Showbiz Goes to War

Now and Forever

Sinners in the Sun

The Eagle and the Hawk

They Knew What They Wanted

Virtue

The Racketeer

Swing High, Swing Low

Man of the World

Supernatural

The Campus Vamp

True Confession

High Voltage

Love Before Breakfast

It Pays to Advertise

The Campus Carmen

Matchmaking Mamma

Big News

Vigil in the Night

From Hell to Heaven

Fools for Scandal

Oops, Those Hollywood Bloopers!

White Woman

Safety in Numbers

Bolero

Brief Moment

Hollywood Out-takes and Rare Footage

No More Orchids

Run, Girl, Run

No One Man

The Gay Bride

Screen Snapshots (Series 22, No. 10)

Fast and Loose

Ladies' Man

Going Hollywood: The '30s

Hollywood: The Selznick Years

Smith's Army Life

Show Folks
Smith's Pony
Hollywood's Hidden Secrets

Durand of the Bad Lands

Pretty Ladies

Up Pops the Devil

The Beach Club

Anthony Quinn: An Original

Carole Lombard

Rumba

The Arizona Kid

The Fashion Side of Hollywood

The Fighting Eagle

That's Entertainment! III

I Take This Woman

My Best Girl

Breakdowns of 1938

Brother, Can You Spare a Dime?

Ben-Hur: A Tale of the Christ

William Powell: A True Gentleman

The Making of a Legend: Gone with the Wind

Hollywood Goes to Town

Power

His Unlucky Night

The Golden Age of Comedy

The Big Parade of Comedy

Dick Turpin

The Plastic Age

The Road to Glory

The Johnstown Flood

The Best Man

Me, Gangster

Dear Mr. Gable

Gold Heels
Gable: The King Remembered

Motorboat Mamas
