Felix Bressart
From Wikipedia, the free encyclopedia. Felix Bressart (March 2, 1892 – March 17, 1949) was a German-American actor of stage and screen.
Felix Bressart (pronounced "BRESS-ert") was born in East Prussia, Germany (now part of Russia) and was already a very experienced stage actor when he had his film debut in 1928. He started off as a supporting actor, e.g. as the Bailiff in the box-office hit Die Drei von der Tankstelle (1930), but had soon established himself in leading roles of minor movies. After the Nazis seized power in 1933, Jewish-born Bressart had to leave Germany and continued his career in German-speaking movies in Austria, where Jewish artists were still relatively safe. After no fewer than 30 films in eight years, he emigrated to the United States.
One of Bressart's former European colleagues was Joe Pasternak, now a successful Hollywood producer. Bressart's first American film was Three Smart Girls Grow Up (1939), a vehicle for Universal Pictures' top attraction, Deanna Durbin. Pasternak also selected the reliable Bressart to perform in a screen test opposite Pasternak's newest discovery, Gloria Jean. The influential German community in Hollywood helped to establish Bressart in America, as his earliest American movies were directed by Ernst Lubitsch, Henry Koster, and Wilhelm Thiele (director of Die Drei von der Tankstelle).
Bressart scored a great success in Lubitsch's Ninotchka, produced at Metro-Goldwyn-Mayer. MGM signed Bressart to a studio contract in 1939. Most of his MGM work consisted of featured roles in major films like Edison, the Man.
He combined his mildly inflected East European accent with a soft-spoken delivery to create kindly, friendly characters, as in Lubitsch's To Be or Not to Be, in which he sensitively recites Shylock's famous "Hath not a Jew eyes?" speech from The Merchant of Venice. Lubitsch also directed Bressart to similar effect in The Shop Around the Corner.
Bressart soon became a popular character actor in films like Blossoms in the Dust (1941), The Seventh Cross (1944), and Without Love (1945). Perhaps his largest role was in RKO Radio Pictures' "B" musical comedy Ding Dong Williams, filmed in 1945. Bressart, billed third, played the bemused supervisor of a movie studio's music department, and appeared in formal wear to conduct Chopin's "Fantasie Impromptu."
After almost 40 Hollywood pictures, Felix Bressart suddenly died of leukemia at the age of 57. His last film was My Friend Irma (1949), the movie version of a popular radio show. Bressart died during production, forcing the producers to finish the film with Hans Conried. In the final film, Conried speaks throughout, but Bressart is still seen in the long shots.
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To Be or Not to Be

The Three from the Filling Station
The fight with the dragon or: The tragedy of the lodger

Ninotchka

The Shop Around the Corner

Take One False Step

Comrade X

Above Suspicion

Crossroads

Edison, the Man

It All Came True

Third Finger, Left Hand

Blossoms in the Dust

The Seventh Cross

Escape

Dangerous Partners

Blonde Fever

Swanee River

I've Always Loved You

Peter
Wie d'Warret würkt

Bitter Sweet

Married Bachelor

Bridal Suite

No More Love

Terror of the Garrison

The Lucky Top Hat

The Office Manager

Ding Dong Williams
Eine Freundin so goldig wie Du

The Tender Relatives

Three Hearts for Julia

Excursion into Life

Ziegfeld Girl

Her Sister's Secret

There is a woman who will never forget you

Everything for the Company

Fanfare about love

Kathleen

Three Smart Girls Grow Up

Three Days in the Guardhouse

Heut' ist der schönste Tag in meinem Leben

Liebe im Kuhstall

True Jacob

Private Secretary

Song of Russia

Greenwich Village

Don't Be a Sucker!

The Thrill of Brazil

...und wer küßt mich?

Without Love

Iceland

Salto in die Seligkeit

A Song Is Born

Old Song

Portrait of Jennie
C'était un musicien

Visul lui Tanase

Holzapfel Knows Everything

Four and a Half Musketeers

Ball at the Savoy
