Henri-Georges Clouzot
Henri-Georges Clouzot (August 18, 1907 – January 12, 1977) was a French film director, screenwriter and producer. He is best remembered for his work in the thriller film genre, having directed The Wages of Fear and Les Diaboliques, which are critically recognized to be among the greatest films from the 1950s. Clouzot also directed documentary films, including The Mystery of Picasso, which was declared a national treasure by the government of France.
Clouzot was an early fan of the cinema and, desiring a career as a writer, moved to Paris. He was later hired by producer Adolphe Osso to work in Berlin, writing French-language versions of German films. After being fired from German studios due to his friendship with Jewish producers, Clouzot returned to France, where he spent years bedridden after contracting tuberculosis. Upon recovering, Clouzot found work in Nazi occupied France as a screenwriter for the German-owned company Continental Films. At Continental, Clouzot wrote and directed films that were very popular in France. His second film Le Corbeau drew controversy over its harsh look at provincial France and Clouzot was fired from Continental before its release. As a result of his association with Continental, Clouzot was barred by the French government from filmmaking until 1947.
After the ban was lifted, Clouzot reestablished his reputation and popularity in France during the late 1940s with successful films including Quai des Orfèvres. After the release of his comedy film Miquette et sa mère, Clouzot married Véra Gibson-Amado, who would star in his next three feature films. In the early and mid-1950s, Clouzot drew acclaim from international critics and audiences for The Wages of Fear and Diabolique. Both films would serve as source material for remakes decades later. After the release of La Vérité, Clouzot's wife Véra died of a heart attack and Clouzot's career suffered due to depression, illness and new critical views of films from the French New Wave. Clouzot's career became less active in later years, limited to a few television documentaries and two feature films in the 1960s. Clouzot wrote several unused scripts in the 1970s and died in Paris in 1977.
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Henri-Georges Clouzot's Inferno
Carl Th. Dreyer und Gertrud

Carl Th. Dreyer

Henri-Georges Clouzot: An Enlightened Tyrant

The Mystery of Picasso

The Clouzot Scandal

Notre Dame de la Croisette

They Saw Inferno

Brasil

1940: Taking over French Cinema

Cinépanorama

The Wages of Fear

The Wages of Fear

The Wages of Fear

Diabolique

Diabolique

Le Corbeau

Le Corbeau

The Rebel

The Truth

The Truth

Return to Life

Miquette

Jenny Lamour

Jenny Lamour

The Spies

The Spies

The Mystery of Picasso

The Spies

Woman in Chains

The Murderer Lives at Number 21

The Murderer Lives at Number 21

The Terror of Batignolles

The Last One of the Six

The World Will Shake

Manon

Clouzot filme Karajan : la Symphonie du Nouveau Monde de Dvořák

Tokyo Olympiad

Return to Life

Should We Wed Them?

Dream Castle

Dream Castle

All for Love

If All the Guys in the World...

Manon

Miquette

Verdi – Messa da Requiem

Woman in Chains

Jenny Lamour

The Duel

The Duel

Strangers in the House

Strangers in the House

Diabolique

Torment

The Unknown Singer

The Last One of the Six

The Last One of the Six

The Inferno Unseen

Herbert von Karajan, Symphonie n°5 Beethoven

Dragnet Night

Sorcerer

Yehudi Menuhin und Herbert von Karajan – Mozart: Konzert für Violine und Orchester Nr. 5

My Cousin From Warsaw

I'll Be Alone After Midnight

Caprice de princesse

All for Love

Tell Me Tonight

Karajan in Rehearsal

Le Corbeau

The Murderer Lives at Number 21

Strangers in the House

The Mystery of Picasso

The Mystery of Picasso

Brasil

Diabolique

Caprice de princesse

I'll Be Alone After Midnight

Karajan: Mozart Violin Concerto No 5, Dvorak Symphony No.9
