Gordon Willis
From Wikipedia, the free encyclopedia
Gordon Hugh Willis, Jr., ASC (May 28, 1931 – May 18, 2014) was an American cinematographer. He is best known for his work on Francis Ford Coppola's The Godfather series as well as Woody Allen's Annie Hall and Manhattan. Fellow cinematographer William Fraker called Willis's work a "milestone in visual storytelling", while one critic suggested that Willis "defined the cinematic look of the 1970s: sophisticated compositions in which bolts of light and black put the decade's moral ambiguities into stark relief".
When the International Cinematographers Guild conducted a survey in 2003, they placed Willis among the ten most influential cinematographers in history.

Woody Allen: A Documentary

Visions of Light

'Klute' in New York

To Woody Allen from Europe with Love

Telling the Truth About Lies: The Making of "All the President's Men"

Film Noir: Bringing Darkness to Light

Emulsional Rescue: Revealing 'The Godfather'

An Amazing Time: A Conversation About End of the Road

Fog City Mavericks

Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywood

The Godfather Part III

The Godfather Part II

Klute

Annie Hall

Manhattan

All the President's Men

The Money Pit

The Purple Rose of Cairo

The Devil's Own

Malice

Zelig

Stardust Memories

Presumed Innocent

A Midsummer Night's Sex Comedy

Broadway Danny Rose

Windows

The People Next Door

The Godfather

Interiors

Bad Company

The Parallax View

The Paper Chase

The Landlord

The Pick-up Artist

Comes a Horseman

September 30, 1955

Bright Lights, Big City

The Lost Honor of Kathryn Beck

Up the Sandbox

Loving

Windows

Little Murders

End of the Road

Pennies from Heaven

The Drowning Pool

Perfect

The Beatles at Shea Stadium

The Godfather 1901–1959: The Complete Epic
