Rex Ingram
Rex Ingram started his film career as a set designer and painter. His directorial debut was The Great Problem (1916). A true master of the medium, Ingram despised the business haggling required in the Hollywood system. He was also unhappy with the level of writing he found in American writers. This led him to work with such foreign writers as Vicente Blasco Ibáñez, which resulted in the first major role for the young Rudolph Valentino. Ingram was a great friend of Erich von Stroheim, who, like Ingram, was a great filmmaker, but often went way over budget.
In 1924, Ingram moved to Nice, France, where, in his own studios, he directed films of his own choosing, often with his then-wife Alice Terry. In his later career he acted as a mentor to the young Michael Powell.

Beau Brummel

The Moonshine Maid and the Man

Mary of the Movies

Snatched from a Burning Death

The Evil Men Do

Baroud

Camille: The Fate of a Coquette

The Four Horsemen of the Apocalypse

Humdrum Brown

The Magician

The Magician

The Magician

Scaramouche

Under Crimson Skies
The Song of Hate

The Prisoner of Zenda

The Conquering Power

Mare Nostrum

The Arab

Where the Pavement Ends

Black Orchids

The Conquering Power

Broken Fetters

Scaramouche

Baroud

Baroud

The Three Passions

Baroud

Baroud

The Garden of Allah

Black Orchids

Where the Pavement Ends

The Chalice of Sorrow

The Chalice of Sorrow

The Flower of Doom

The Prisoner of Zenda

Trifling Women

Trifling Women

Broken Fetters

Broken Fetters

The Great Problem

The Great Problem

The Reward of the Faithless

The Reward of the Faithless

The Three Passions

L'évadée

L'évadée

The Arab

The Little Terror

The Little Terror

Turn to the Right

The Pulse of Life

The Pulse of Life

The Great Problem

The Day She Paid
Shore Acres
Hearts Are Trumps

Mare Nostrum

The Flower of Doom

The Magician

The Galley Slave

The Wonderful Adventure

Should a Mother Tell
